King of the Wind
July 17th, 2011
Yesterday at an antique sale, I uncovered a hardcover copy of King of the Wind by Marguerite Henry, which won the Newberry Award in 1949.
Can I just tell you, I loved this book growing up.
I must have read it at least 50 times, no exaggerating. Ms. Henry was one of my earliest inspirations because she found a way to fuse horses (zomg, horses!) with story-telling, resulting in the most exciting books I’d ever come across.
I went through troubled times as a teenager to be sure, but there was a while there when my heroes were Ms. Henry and James Herriot and Anne of Green Gables. I think even when I was trying to fly my rebellious flag, deep down I was just a literary nerd.
Anyway. I’d owned this lovely book in softcover growing up, but lost it sometime after college. I was delighted to rediscover it and become immersed once again in a story that spans generations, taking readers to Africa, France, England and the United States, where the main characters are a horse and a mute boy.
And here, I bet you thought “King of the Wind” was going to be a post about passing gas.
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One of Zielin’s strengths as a writer is that she really “gets” teens: their voices, angst, and insecurities. Another is that she’s not afraid to throw her protagonists into no-win situations and watch them claw their way out. Aggie Winchester, a junior and self-professed goth, thoroughly resents her mother–who is also the principal of Aggie’s high school, which fuels her rebellious, self-destructive behavior. But then Aggie’s best friend, Sylvia, gets pregnant and is nominated for prom queen, an old boyfriend rears his gorgeous but devious head, and Aggie discovers that her mother has breast cancer. Though Aggie is not always a lovable main character, Zielin (Donut Days) keeps her real and honest. As Aggie heads ever deeper into the hole she’s dug for herself, she grapples with some tough choices. Should she have sex with her old boyfriend to get him back? Should she rat on Sylvia, who may have rigged the prom queen election? How can she make her mother actually listen to her? For teens confronting similar questions, Aggie’s realistically bumpy journey will be welcome, timely, and thoroughly satisfying. Ages 14–up. (Aug.)






